Lil Peep: EVERYBODY’S EVERYTHING
Lil Peep’s music wasn’t always sad. EVERYBODY’S EVERYTHING proves that
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Lil Peep’s music wasn’t always sad. EVERYBODY’S EVERYTHING proves that
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‘Les Miserables,’ France’s pick for their Best Foreign-Language Oscar nominee, turns up the heat on a street-crime unit—and flips the bird to a whole system based on social injustice. Our four-star review.
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REZZ and Grimes have new music coming 🤩🤩
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seeing the Flaming Lips live is an unreal experience
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Aly & Fila stay true to their roots 🙏
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Calvin Harris is going to bring the house down for NYE
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Illenials are freaking OUT over this
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The Weeknd is in album mode.
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Were the ’70s the greatest decade in rock music?
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Whether you’re hosting for the holidays or heading to a housewarming, these gifts are sure to impress your guests.
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Ernest Hood’s 1975 proto-ambient masterpiece combines idyllic field recordings with washes of synth and zither. The lp—reissued by Freedom to Spend/RVNG Intl. —”illustrates the relationship between the specific and the universal,” writes Jason P. Woodbury.
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Hardcore rave from the early 90s is often derided, but there were plenty of important innovations happening within those records, and many classic tunes produced from the scene. In this two-part article, we chat with Radio Slave (Official), Octo Octa, Eris Drew & DJ Seinfeld who are using the audio language of hardcore and rave to make new, exciting music, and get an insight into their working methods 🙂⚙️.
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